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Aside from a few desultory wall treatments, there isn’t much of a female presence in the apartment: Ikea couch and armchair, long desk by the window, computer screens.
There's no health coverage for it, no medication, and for those trapped in its strange and unrelenting spell, no easy way out.
SEX ADDICTION— diagnosing it, treating it, portraying it on-screen—is big business.
In the age of smartphones and frictionless-dating apps, sex addiction is like being hooked on a drug that's always available in unlimited supply.
It's like living with a meth dealer at your side, or a brick of cocaine in your pocket.
The number of certified sex-addiction therapists has more than doubled since 2008, according to the International Institute for Trauma and Addiction Professionals.
Hookup apps like Tinder (26 million matches per day) and Grindr (1.6 million active daily users) are growing wildly and multiplying, like real-life manifestations of the futuristic smartphone imagined by Gary Shteyngart in which rates the "Fuckability" of everyone around you.
But they haven’t had sex since June 2012, haven’t even seen each other naked (except by accident) since he told her he was a sex addict.
Almost every night, they separately attend meetings or therapy.
On-screen, sex addiction tends to be portrayed as glamorous, even fleetingly aspirational—either posey, broody, and existential or chaotically fun in a Warren Beatty-in-the-’70s kind of way.
But no two-hour movie can communicate the relentless patterns of thought that persecute sex addicts.
an Indian film composer, singer, lyricist and the first Asian composer to score a symphony for the Royal Philharmonic Orchestra.